150 –– UBERMORGEN | Constant Dullaart

in the frame of the project - Calculating Control: (Netz)kunst und Kybernetik - by Zentrum für Netzkunst we are proud to present 150 by UBERMORGEN and Constant Dullaart

19 September – 03 October 2021 | null | Opening 19.09.2021 3-8p.m.

About the exhibition

The exhibition presents two contemporary netart positions that address socio-cybernetic issues by artistically investigating informational processes in both social and technological space.

This is the final exhibtion of the project Calculating Control: (Netz)kunst und Kybernetik - by Zentrum für Netzkunst.

Artists

UBERMORGEN is an artist duo founded in 1995. Autistic actionist lizvlx and pragmatic visionary Hans Bernhard are net.art pioneers and media hackers widely recognized for their high-risk research into data & matter, conceptual art, haute couture websites and polarising social experiments. CNN called them 'Maverick Austrian Business People' during their Vote-Auction online project. They reached a global audience of 500 million while challenging the FBI, CIA, and NSA during the US presidential election. In 2005, they launched their acclaimed EKMRZ Trilogy, a series of conceptual hacks – Google Will Eat Itself, Amazon Noir, and The Sound of eBay. UBERMORGEN controls 175 domains. Their exhibitions include Liverpool Biennial; Whitney Museum (2020); New Museum, New York; Somerset House, London; Haifa Museum of Art, Israel/Palestine (2019); Wei-Ling Contemporary Malaysia; HKW, Berlin; ZKM; National Art Gallery, Sofia (2017); ICA Miami; Mahatma Gandhi Institute, Mauritius (2015); Serpentine Galleries, London (2014); Kunsthal Aarhus; Ars Electronica, Austria; MoMA Ljubljana; ArtScience Museum, Singapore (2013); 3331 Arts Chiyoda, Japan (2012); Centre Pompidou; Gwangju Design Biennale; WRO Media Art Biennale (2011); Prague Biennale (2009); Biennale of Sydney (2008); MOCA Taipei (2007); The Premises, Johannesburg; ICC Tokyo (2005); SFMOMA, USA (2001).

Constant Dullaart born 1979, leiderdorp, netherlands, lives and works in berlin and amsterdam. his practice reflects on the broad cultural and social effects of communication and image processing technologies, from performatively distributing artificial social capital on social media to complete a staff-pick kickstarter campaign for a hardware start-up called dulltech™. his work includes websites, performances, routers, installations, startups, armies, and manipulated found images, frequently juxtaposing or consolidating technically dichotomized presentation realms.

© panke.gallery – Verein für künstlerisch-kulturelle Bildung e.V.