About the exhibition
ALEXIETY is panke.gallery Edition #002. Together with French musician Low Jack, !Mediengruppe Bitnik have been looking at ways to engage with Alexa and similar Intelligent Personal Assistants through music. A set of three songs attempt to capture the feelings we develop toward Intelligent Personal Assistants: The carefree love that embraces Alexa before the data privacy and surveillance issues outweigh the benefits. The alienation and decoupling from the allure of remote control and instant gratification. The anxiety and discomfort around Alexa and other Intelligent Personal Assistants that is Alexiety.
Intelligent Personal Assistants like Alexa, Google Home and Siri are the brains of the smart home ecosystem. They operate, monitor and control smart home appliances while keeping the algorithms and rule-sets that determine their workings secret. Intelligent Personal Devices are voice controlled, thus dissolving the machinic presence of the computer while placing its functionalities at the users disposal. It's like living inside the machine, while at the same time having no agency over the composition and structure of ones environment.
What are the relationships that we are forming with these IPA devices? What happens when IoT devices are hacked to form rogue bot-networks? Is my capacity to act expanded or diminished when relying on these semi-autonomous devices?
panke.gallery Edition #002 - Alexiety EP released on the occasion of Cryptorave with OMSK Social Club and the birth of RaveEnabler https://0b673cce.xyz/ - mining Monero (XMR) in support of local Cryptorave networks by donating CPU power.
Multi-platform graphics: Knoth & Renner Songs: Low Jack & !Mediengruppe Bitnik
Omsk Social Club Lives and works in Berlin. She has exhibited across Europe in various institutions, galleries and offsites such as Migros Museum für Gegenwartskunst, Zürich, Middlesbrough Modern Institute of Art, Bergen Kunsthalle, Gold and Beton Cologne, “Vomit Apocalypse” for Glasgow International and Kunsthalle Zürich. She attended The Eternal Internet Brother/Sisterhood residency in Sri Lanka in 2016 curated by Angelo Plessas and was awarded the Gleis 70 Zurich international artist award from Pro Helvetia in 2017 and the 8th ARTWARD Junior Prize in Munich.
Her theoretical essays and creative texts have been commissioned for Kaleidoscope Magazine, NXS, Badlands, A little disaster, NRW Forum Düsseldorf Status Effect curated by Andrew Varano, Websafe2k16, Oncurating.org - “Alienation and Estrangement Issue” edited by Dorothee Richter. She was also recently included in the book Polar Reflex for the exhibition “The Internet is Present” edited by Reese Riley.
Omsk Social Club coined and works heavily with the concept of Cosmic Depression – The theory of depression caused by digital utopia (Paradise without Ecology) and Real Game Play. Omsk’s practice spans from visual to theoretical production often using the model of gaming. Working with a cross disciplinary practice and over many avatars or pseudo-names. Omsk Social Club is constantly observing and questioning the concept of Self, Individualism and the community both in off and online scenarios. Pioneering the spectacle Ying Colosseum in Berlin (2015-2016) and Play Co Summit with Ed Fornieles (2017-ongoing), She is heavily influenced by her peers and their voices as collective anonymous mass often incorporating them into her Meta Larps and Real Games. One may liken her output to a new form of relational aesthetic practice.
“Zen, Speed, Organic: 3 lifestyle diets.”
!MEDIENGRUPPE BITNIK (read - the not Mediengruppe Bitnik) are contemporary artists working on, and with, the Internet. Their practice expands from the digital to physical spaces, often intentionally applying loss of control to challenge established structures and mechanisms. In the past they have been known to subvert surveillance cameras, bug an opera house to broadcast its performances outside, send a parcel containing a camera to Julian Assange at the Ecuadorian embassy in London and physically glitch a building. In 2014, they sent a bot called «Random Darknet Shopper» on a three-month shopping spree in the Darknets where it randomly bought items like keys, cigarettes, trainers and Ecstasy and had them sent directly to the gallery space. !Mediengruppe Bitnik’s works formulate fundamental questions concerning contemporary issues.
Their works are shown internationally, most recently in exhibitions at Annka Kultys Gallery London, House of Electronic Arts Basel, Eigen + Art Lab Berlin, Super Dakota Brussels, Centre Culturel Suisse Paris, Aksioma Ljubljana, Kunsthaus Zurich, FACT Liverpool, Onassis Cultural Center Athens, Public Access Gallery Chicago, Kunstverein Hannover, Nam June Paik Art Center South Korea, Fondazione Prada Milano, Shanghai Minsheng 21st Century Museum, The Pushkin Museum of Fine Arts Moscow, Cabaret Voltaire Zurich, Beijing Contemporary Art Biennial and the Tehran Roaming Biennial.
LOW JACK/ Philippe Hallais is a French electronic music artist born in 1985 in Tegucigalpa (Honduras) and living in Paris. His music plays with the re-appropriation of sonic clichés, media folklores, and the multiplicity of musical languages associated with dance subcultures. He has published three albums under the pseudonym Low Jack (Garifuna Variations, L.I.E.S, 2014 ; Sewing Machine, In Paradisum, 2015 ; Lighthouse Stories, Modern Love, 2016) and one under his own name, An American Hero (Modern Love, 2017). His live performances include collaborations with musicians Ghedalia Tazartès and Dominick Fernow/Vatican Shadow. His work has been commissionned by the Quai Branly museum, the Swiss Cultural Center and the Ricard Fondation in Paris.
!Mediengruppe Bitnik & Low Jack, Alexiety, installation view, panke.gallery Berlin, 2018. Photo: Otto Felber, Berlin